Sunday, 8 April

Reconstructing and maintaining music technologies of the past can give musicians and engineers a unique insight into the ideas and practices that produced innovative sound-making devices. Drawing on synthesizer reconstruction projects that they encountered while researching the electronic music studio and synthesizer company EMS London Ltd, writer Frances Morgan reflects on these approaches as a means of generating new methods of critical writing and helping us to engage with the multiple temporalities at work in electronic music histories.

This talk is part of the Rewire 2018 discourse programme, which can be visited free of charge.